Not quite as laugh-out-loud funny as Spoony’s work, but also lacking in Spoony’s customary profanity:

I didn’t have a chance to watch the whole thing, but the snippets I sampled seemed pretty even-handed. The reviewer doesn’t seem to betray much of a modernist bias, and is willing to evaluate the game in a frame of mind that accounts for the extant technology at the time of Ultima Underworld 2’s release. He notes, for example, that the music is evocative and may even inspire the player to hum along, despite the fact that it won’t sound all that polished to the ears of modern gamers. His evaluation of the game’s engine seems similarly fair.